Yes, Virginia, Sounds ARE Active

December 16th, 2009

On the 4th day of Christmas, thepaintedman gave to me… more free MP3s!

share their musical talents with the world for FREE. Some classic, some original… here are a few tracks to whet your Christmas whistles.

Schlarb is a musician who has recorded with an indie music who’s who through his career. He founded the label Sounds Are Active, has played in several different musical outfits, and is signed as a solo artist to Sufjan Stevens’s Asthmatic Kitty label.

On this free sampling, Chris brings his family with him for some fun and some Christmas joy. Make sure to let him know how much you like it… because, trust me, you will.

A Different Kind of Review

December 2nd, 2009

This review isn’t of an established band or an up-and-comer or some other typical music review that is normally featured on this this site. What it is, on the other hand, is a review of a mix CD that I received in a monthly mix exchange.

On Twitter, a newfound friend that my wife and I follow decided to put together a monthly mix exchange. This month’s theme was 10 songs you’d want with you on a deserted island. Like myself, the creator of the mix I received, must have had a hard time narrowing it down and actually included 11 tracks. This, below, is a review of the 11 track mix that I received, entitled, Justin’s Deserted Island CD Mix November 2009:

Muse

Track 1: Muse – Uprising

In typical Muse fashion, this song has a driving beat, that specific mystical quality so many of their songs have (think “Knights of Cydonia”), and tons of rock sensibilities. The riff accompanied by what sounds like a synthesized cheer of “Come on” is very reminiscent of Blondie’s “Call Me”. Overall, a great rock song in the vein of what I’ve come to expect from Muse. Quite enjoyable.

Track 2: Black Ghosts – Full Moon

Never heard of Black Ghosts before this, but the track wasn’t bad, quite relaxing in feel and mood. Layered acoustic guitars and synth sounds by the electronic duo sound like something I’d put along side Air, Morcheeba, Zero Seven and The Echoing Green on a playlist entitled “Chill” or something of the sort.

Track 3: Ben Harper and the Relentless7 – Fly One More Time

I’ve never though much of Mr. Harper. This track isn’t horrible by any means, though. Can’t completely vibe with his vocal style, but I would guess that I could dig the track more if I didn’t already have a preconceived notion of Harper

Track 4: Coldplay – Strawberry Swing

Coldplay has always been hit or miss with me. Sometimes I can dig them, other times I find them either a bit too pretentious, or a bit too generic, or, often times, too epic and overproduced. This is a more stripped down song that sounds like it either is or should be featured in a Zach Braff film.

Track 5: Erin McCarley – Pony

This chick is pretty cool. I suspect my wife would dig this song. She has a good voice and strikes me as the type of pop that the teenie boppers and the 20 something hipster crowd alike can enjoy. I’m not compelled to grab more of her music or play this song over and over, but I won’t skip this track when listening to the mix, either.

Track 6: Bon Iver – Flume

This track is boring to me. I feel about this song the way I feel about most music by Iron and Wine, Sufjan Stevens, and the like. My best guess, Bon Iver has a song or two I’d dig somewhere in there, but this one isn’t really it. That said, it’s good for what it is… which is “Gina music”. You dig stuff like this? That’s cool, just not my cup of tea or mug of beer, if you catch my drift.

Linkin Park

Track 7: Linkin Park – Leave Out All the Rest

I definitely enjoy most of the Linkin Park I hear. They aren’t a band that I’ll ever go out of my way for, but they are a band I’d rarely flip the station of skip the track for. This is one of their more chill type track, less in your face or hard edged than their typical material. Bennington displays that he can actually sign quite well on this track. I like this song quite a bit.

Track 8: Regina Spektor – Eet

The only Regina Spektor track I ever really liked before hearing this was a track that wasn’t even hers, the song she does with Ben Folds entitled “You Don’t Know Me”. After listening to this song, I’m going to have to say that “You Don’t Know Me” is still the only track featuring her that I vibe on. Oh well, I can’t like every track, can I? This CD is like 5 for 8 at this point, so that’s pretty damn good.

Track 9: Mat Kearney – Where We Gonna Go From Here

Acoustic singer-songwriter stuff certainly has its place in my collection. This track isn’t bad at all. Nothing to write home about, but I’d likely call this a song that I could listen to on a deserted island, as it sounds like a lay-on-the-beach-looking-up-at-the-clouds-while-contemplating-life kind of song. Like Erin McCarley, Bon Iver, and Black Ghosts, I had no idea who this guy was before listening to this mix. Not bad, although something about the song makes me think of the worship music that kids at the Christian college I went to used to pump through their stereos all of the time.

Track 10: Sara Bareilles – Vegas

Kinda smooth and sultry, while not being outright sexy (like Mozella’s), her vocals are pretty cool. Worth a few more listens, but not likely hitting heavy rotation for me.

Track 11: Sufjan Stevens – No Man’s Land

Outside of the creepy and hauntingly beautiful “John Wayne Gacy Jr.”, Sufjan does little for me. He’s not insufferable by any means, but I could do without him. Nothing really different about this song for me. The flutes get a bit annoying for me.

Overall, this mix was much better than I expected at first. The first names that jumped out at me were Sufjan Stevens, Regina Spektor, and Ben Harper, all of which I am not a fan of, but after several listens, I found it to deliver pretty well for me. I was quite happy to be introduced to Black Ghosts, whom I intend to delve a bit more into. I also enjoyed my first listens to Mat Kearney, Erin McCarley, and Sara Barielles. The Coldplay and Linkin Park tracks are solid. The Muse track gets better with each listen (side note: I think I need to listen to more Muse). I enjoyed this mix CD more often than not, which is the best you can get when mixing musical tastes. I can only hope she found a few tracks on the one I sent her way that she enjoyed, as well.

R-A-A Kicks A-S-S

July 13th, 2009

thepaintedman rates this: ★★★★★★★☆☆☆

Hometown RAA

The Rural Alberta Advantage. Alt-country, blah, blah, blah, indie rock, blah, blah, blah, Neutral Milk Hotel, blah, blah, blah, Arcade Fire, blah, blah, blah, Sufjan, blah, blah. Search reviews of the band’s debut, Hometowns, and this is more or less what you get…

While I don’t disagree with these and other comparisons, I also can’t endorse them. I have disliked most of what I’ve heard by Arcade Fire, have limited experience with NMH (I like the song with the lyrics, “Semen stains the mountaintops”, but know little to nothing else by them), and could never get very into indie darling Sufjan Stevens. What I can say about Saddle Creek’s re-release of RAA’s debut is that it’s catchy, enjoyable, and strikes me as what Death Cab for Cutie would sound like if Ben Gibbard was replaced by Billy Corgan.

Like a lot of the music I review on this site (or at least some), it’s not exactly my cup of tea or mug of beer, but Hometowns is a good album. It reeks of NPR greatness; fans of shows like Bob Boilen’s acclaimed show All Songs Considered will likely hear and love multiple songs off of this album very soon (if not already). Indie is what indie does, or something like that.

I love the opening track’s thumping bass. The track, entitled “The Ballad of the RAA”, is the perfect opener. A dancey beat, stripped down sound, and great use of a xylophone, all set the stage for what is to come. Singer Nils Edenloff’s vocals shine through from the time he begins to sing. The nasal vocal stylings are very quirky and distinct, but don’t annoy me the way others who have similar deliveries do.

Other tracks that standout to as my favorites are “Drain the Blood” and “The Air”. It is fair, however, to say, that every track on the album is solid. In fact, it is also fair to say that after a few more listens, this CD just may become my cup of tea or mug of beer. So, check it out, you won’t likely be sorry.

Different is Not Always Bad… I Guess

June 4th, 2009

thepaintedman rates this: ★★★★★★★☆☆☆

mewithoutyougif

Despite my complaints that the current version of mewithoutYou is not the same band I fell for several years ago, I can’t deny that their new album is a solid one. If I take an objective listen to It’s All Crazy! It’s All False! It’s All A Dream! It’s Alright, discounting any previous knowledge of the band or their past releases, it is undoubtedly an intriguing album with a unique sound, interesting and obscure lyrics, and an uplifting message. At the end of the day, for the fellows in mewithoutYou, I guess that’s what matters.

It’s All Crazy! is a quirky pop-folk-rock album with scattered influences and a sound that grows on you. Aaron Weiss’s vocals are one of the quirky elements in their sound. Weiss’s past style of yelling/talking over the music is all but gone, making brief appearances (“Bullet to Binary Pt. Two”). His vocal stylings are now more reminiscent of Gordon Gano of folk-punk pioneers the Violent Femmes and Joseph Whiteford of Harley Poe (and formerly of mewithoutYou’s T&N label mates Calibretto). The backing vocals of the other members of the band are somewhat choir-like at times, adding a certain quality that invokes other eccentric acts like The Polyphonic Spree.

Lyrically, the album is said to be largely based upon the teachings of Muhammad Raheem Bawa Muhaiyaddeen, a Sufi mystic. Before learning of this, I (like most non-Muslim Americans) had never heard of Bawa Muhaiyaddeen, but this release has certainly peaked my interest with songs based on his parables (“The Fox, the Crow and the Cookie”) and finding God in everything (“Allah, Allah, Allah”). As the Weiss brothers grew up in a Sufi household in Philadelphia, where the mystic lived while in the United States, it is not surprising that Bawa Muhaiyaddeen would be an inspiration for Aaron’s lyrics. In understanding the principle teachings of Bawa Muhaiyaddeen are of peace and unity, it makes complete sense that now would be the time for Weiss and company to share his teachings with the world.

The music on the quirky album seems to take a lot more influence from Bob Dylan, late Beatles work, and the Sufjan Stevens crowd than from previous influences like Fugazi or The Refused. In fact, if you don’t know anything about the band’s earlier recordings, you’d never guess that these bands were at one time very prominent influences in their sound. Wikipedia references Neutral Milk Hotel as an influence, Christianity Today likens their sound to Danielson Famile, Anathallo, and Bright Eyes, and Absolute Punk references the Sgt. Pepper vibe of “Allah, Allah, Allah”. Far cry from their punk and hardcore roots, huh? Damn right, but I can’t deny that it grows on the listener, even a reluctant listener like myself.

Fan of quirky folk music? Then, this will be up your alley. Fan of earlier mewithoutYou? Give it a try… you may find out, like me, that it’s not as bad as you had first thought. And while you’re at it, check out this free download of a great acoustic cover of my favorite mewithoutYou song (click here to download “Flamethrower” by Peter James).