This blog is additionally featured as an article on Nerd Lives. There is also a good discussion about this at Decapolis that inspired some changes that I posted at approximately 9:39 PM on 5/20/2008.
Dance rock can be a wonderful thing, but it has a dark side. Just because rock and/or roll is produced in an upbeat, danceable fashion doesn’t make it worthwhile or new. A few years back, starting with Franz Ferdinand, dance rock became a dominant force on the airwaves. Its power has ebbed and flowed, but I implore you to see that the evil force of painfully repetitive power pop turned dance music is back… and with a new, yet not so new, face.
Since the dawn of time (or at least Y2K), dance rock bands have seemingly come out of thin air and been thrust into the spotlight. Alternative radio stations, satellite radio, and hipsters throughout the nation have, unfortunately, embraced many of these bands as “the next big thing in music.” The more mainstream versions of these acts are often more talented, but cannot be heralded as “cool” because they aren’t exclusive enough. For example, the better dance rock acts of the past few years often get little respect from the underground, yet solid airplay from the mainstream pop and rock stations. Satellite radio’s alternative stations will often throw these bands in for good measure, but save their praise and adoration for the lesser known (and often crappier) bands in the genre. Many larger acts, such as The Killers, Franz Ferdinand, The Hives, and to a lesser extent The Bravery, have produced some of the better music in the genre for the past few years, yet are not lauded the way that the “indie darlings” are. Some of the more underground acts, like The Rapture and Peter Bjorn and John, have taken the dance rock formula and tweaked it to become something more special, but they can never be quite “cool” enough to be fully embraced by the hipster nation. …more… »